At the crossroads of blues and American roots music you’ll findBrooks Williams. “Setting new standards and a fresh direction for the blues,” says Blues In Britain, and creating a “beautiful fusion” (Keys And Chords). Just when you think he can’t sing a blues-ier note, he sings it. Just when you think he can’t strum a deeper groove, he strums it.
Brooks was born in Statesboro, Georgia, USA (the town made famous by the classic song Statesboro Blues), and did his apprenticeship in the small bars and coffeehouses of New York and Boston, following in the footsteps of Chris Smither, Rory Block, Shawn Colvin, Maria Muldaur, David Bromberg and Leo Kottke, all whom he gigged with from time-to-time when he was starting out.
The result of those early years is an unflagging career that goes from strength to strength. “Lucky Star,” Williams’ 28th solo recording, is already turning heads and making itself known on playlists throughout the world. The Second Line groove that runs throughout every track would make the late Allen Toussaint proud.
Ranked in the Top 100 Acoustic Guitarists, he’s a mean finger-picker and a stunning slide guitarist. Plus, “he has a beautiful voice,” says AmericanaUK, “that you just melt into.” That voice earned Brooks a nomination for Best Male Vocalist by Spiral Earth, one of the UK’s most respected roots music publications.
He’s no slouch as a songwriter, and has an impeccable ear for a good cover. "Williams’ original songs are typically sophisticated musically, and yet sound immediately familiar – a sign of a skilled songwriter”, writes Down At The Crossroads. His massive repertoire spans classic roots and blues. Check out his version of Dave Alvin’s “King Of California” and follow it with Williams’ instant classic, “Gambling Man.”
Praised by Blues Matters, fRoots, Rolling Stone, the Boston Globe and Mojo, Williams is at the top of his game. His tour schedule has never been busier. He writes and records at an astonishing pace. He loves it, and that love exudes from every note.